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I've minimized the intrusiveness through editing, but it could not be removed entirely.
Unfortunately, there are serious signal issues at the end, which were present on all files I could find. It hews close to other performances of the tune from 2002, but the recording is very high quality. The final fade is abrupt, due to the nature of the original recording, but you get to here a Theme Time-era announcement of the singer's support for the mission to make water pure.Ĭry A While - We move into much bluesier territory here, with a scathing performance of a song from the "Love and Theft" LP. It's not the best rendition, but the organ shines out here as a driving force. Dylan and his touring band created a mid-tempo, shuffle arrangement of the poetic classic.
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We can only hope a full version surfaces someday.Ī Hard Rain's A-Gonna Fall - The song was recorded for a water benefit in 2008. The vocals are extraordinary, though not as strong as the live renditions that would be performed in 2004.
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The outtake remained full of movie ambiance and dialogue, which has been carefully removed to present as complete a recording as possible. Standing in the Doorway - I am proud of the splicing present here. This remastering was carried out by Crystal Cat for their Rochester '04 record, and is an improvement on the other circulating track. It Takes A Lot To Laugh, It Takes A Train To Cry - Here is one of the highlights of the collection, recorded at a benefit event with the Wynton Marsalis band. The accordion and backing vocals really lend a unique character to this track. The mix is lacking for the first verse, but a ragged passion pervades the rest of the recording. Maggie's Farm - This is a contentious performance from the 2011 Grammys.
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The audio here is an improvement on the version present on the Hollow Horn's Some Big TV Network collection, with more space in the recording. Things Have Changed - Bob Dylan performed this at the 2001 Oscars, and though a verse has been excised, it is pretty faithful to the studio version. Frankly, this is my favorite of the three, with soulful vocals pouring everything they've got into each line, along with a beautiful instrumental break at the end of the song.
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Tell Ol' Bill #3 - This is a radically altered, slow blues outtake of "Tell Ol' Bill," which appeared on the North Country soundtrack and Dylan's own Bootleg Series Volume 8. The piano sounds like raindrops, and Tony Garnier's bass weaves deftly through the song. At an event celebrating the progress of Civil Rights in America, Virtually every word is heartbreaking, as all of the broken and fulfilled promises of the 1960s come to the surface in this brief performance. The Times They Are A-Changin' - My personal favorite of the CD. The instrumentation offers a good introduction to the CD, however, so it is present here. They are likely two portions of the same performance, but this one is more complete and lacks any dropouts or movie dialogue. Still, they are as good as you can get, given the issues with the source.ĭirt Road Blues - This is one of the only two performances of this, which both occurred during the Masked and Anonymous sessions.
As you can imagine, establishing that these are of a "lossless" origin is problematic, since the original record is in many cases either broadcast or streaming video. All are available here as uncompressed WAV files derived from the original video or FLAC sources. This set collects the best of Bob Dylan's unreleased outtakes, sessions, and special appearances from 1999 to 2012.